오는 4월 23일부터 시작되는 《Still, Alive》 전시에서는 조용히 멈춰 있는 풍경들을, 생생하게 포착한 장면들을 보실 수 있습니다. 정물화(Still life)의 고정적인 이미지와 대비되는 생동감았는 풍경화가 한 화면에 어우러진 본 전시에서, 김래현, 정예빈, 정재원, 최연수, 그리고 마츠우라 마사키 작가는 집, 식물, 동물 등 일상적인 대상들을 유화, 연필 , 또는 전통 한국화 재료를 사용하여, 자신만의 필체로 풀어냅니다.


정예빈 Jung Yebeen

Jung Yebeen's collage work is reminiscent of the desk of an artist in the Joseon Dynasty. She colored the Hanji(Korean traditional paper) and cut out the simplest form. It looks like the tranquility of daily life and the colorful natural scenery. Oriental painting has long been regarded as an expression of the artist's own thoughts, combined with the efforts of those who faithfully observed the object through delicate description. Jung Yebeen also does not try to draw objects as they are seen, but rather puts what is seen in mind and combines them again. She emphasizes the beauty of the unique margins of oriental painting with collage pieces, not brushes, and at the same time shows the sophisticated and subtle colors expressed by traditional materials of oriental painting. Jung earned a bachelor's degree in painting and a master's degree in painting and formative arts at Sookmyung Women's University. She also went through a residency at the Suwon Cultural Foundation for about two years in 2019.